History of the Rumba was and is a very important part of American culture. The same applies in addition to the individual ties as well to the cultures that it sprang from originally per se. Rumba has left its mark permanently on the entire world if you look at it from a broad view. Therefore, Rumba history is surely American, but it also has strong influence in the countries from which is born as a rule.

Rumba has had so much to give to world on all fronts and this just does not pertain to the dance itself specifically. There is also Rumba music that has also meant a lot in its own way just like the dance. So when one focuses on Rumba history, it is more than just dance, it pertains to song too. Because both go together and compliment each other in every way possible and this is how any song and dance combination should be.

Therefore, History of the Rumba can mean very more than just the history of the group of dances that categorize the generic term to describe these dances. It can also pertain to and does to the history of music that is associated with Rumba per se. Because just the same as the dance had been exposed to North America, so was the Rumba music sound that also became very popular in its own right here and abroad. It was through Cuban musicians that the Latin sound began to make its way to the United States the same as the Rumba dance.

History of the Rumba is very much alive in the rhythms of the Danzon and Son dances that made their way to North America and comprised part of what became the Rumba that most know today. These powerful Rumba rhythms have since found a home in lots of different music genres as a rule and some of these include Blues, Country Western, and Rock and Roll and other forms of music that have proven to be popular.

Rumba just would not be Rumba the dance without the very fast and expressive beat that accompanies it. As the beat is a combination of both African rhythms and Spanish melodies per se. The Rumba music influence is just an important part of history of the Rumba as are all of the other key elements. Without it, Rumba just would not be Rumba.

A bandleader named Emil Coleman tried to introduce Rumba to the United States in 1923 when he imported some Rumba dancers and Rumba musicians in New York. Nevertheless, Rumba did not officially begin to catch on as a craze until 1929 when Xavier Cugat put together a special orchestra that specialized only in Latin American music. Cugat was one of the finest bandleaders of that specific era. Cugat's brand of Rumba got the distinction of the classification of Big Band Rumba.

Since this time and beyond, the Rumba beat is a necessary part of music, and this is evident in American pop culture via many songs. Some of which include: It's Now or Never by Elvis Presley And I Love Her by The Beatles Under The Boardwalk by the Drifters